Free Essays on A Wench In The Works

In 1963, James Brown declared, â€Å"it’s a man’s world.† Playwright and director David Mamet would suggest that maybe the world is not entirely men’s anymore, but the business world certainly is. Moreover, when women enter the male domain of business, they do not understand the basic rules of this male-dominated area of American existence. As a result, women befoul the ability of business to function correctly. Mamet implies that males and females are opposite sexes and that business is a male endeavor- therefore women are antithetical to business (Greenbaum 33). Women, ignorant of proper business procedure, use their sexuality to trap the man to exert the will of the woman. Once the woman traps the man, the man becomes emasculated- he loses whatever claim he had to continue being seen as a man working in the men’s world of business. In Glengarry Glen Ross, Speed-the-Plow, and Oleanna, Mamet retains a central theme: if men did not have to de al with women, business could operate unhindered. First, though, one must consider Mamet’s beginnings. David Mamet was born on November 30, 1947, in Chicago, Illinois. His parents were Bernard Morris Mamet, an attorney, and Lenora June Silver, a teacher. Through his life, Mamet married twice and divorced once. His first wife, Lindsay Crouse, and his second wife, Rebecca Pidgeon, are both actresses. He has three daughters: Willa, Zosia, and Clara. Mamet graduated from Goddard College, a small liberal school in rural Vermont, with a Bachelor of Arts degree. Nary four years out of school Mamet founded the St. Nicholas Theatre Company in Chicago. During those four years, Mamet was an artist-in-residence in drama at Goddard. In the following years, Mamet became associate artistic director at Chicago’s Goodman Theatre and taught at Yale, New York University, and Columbia. Mamet’s first play, Lakeboat, was produced in 1970. Since that point, Mamet has written and direct... Free Essays on A Wench In The Works Free Essays on A Wench In The Works In 1963, James Brown declared, â€Å"it’s a man’s world.† Playwright and director David Mamet would suggest that maybe the world is not entirely men’s anymore, but the business world certainly is. Moreover, when women enter the male domain of business, they do not understand the basic rules of this male-dominated area of American existence. As a result, women befoul the ability of business to function correctly. Mamet implies that males and females are opposite sexes and that business is a male endeavor- therefore women are antithetical to business (Greenbaum 33). Women, ignorant of proper business procedure, use their sexuality to trap the man to exert the will of the woman. Once the woman traps the man, the man becomes emasculated- he loses whatever claim he had to continue being seen as a man working in the men’s world of business. In Glengarry Glen Ross, Speed-the-Plow, and Oleanna, Mamet retains a central theme: if men did not have to de al with women, business could operate unhindered. First, though, one must consider Mamet’s beginnings. David Mamet was born on November 30, 1947, in Chicago, Illinois. His parents were Bernard Morris Mamet, an attorney, and Lenora June Silver, a teacher. Through his life, Mamet married twice and divorced once. His first wife, Lindsay Crouse, and his second wife, Rebecca Pidgeon, are both actresses. He has three daughters: Willa, Zosia, and Clara. Mamet graduated from Goddard College, a small liberal school in rural Vermont, with a Bachelor of Arts degree. Nary four years out of school Mamet founded the St. Nicholas Theatre Company in Chicago. During those four years, Mamet was an artist-in-residence in drama at Goddard. In the following years, Mamet became associate artistic director at Chicago’s Goodman Theatre and taught at Yale, New York University, and Columbia. Mamet’s first play, Lakeboat, was produced in 1970. Since that point, Mamet has written and direct...

Definition and Examples of Tense Shifts in English

Definition and Examples of Tense Shifts in English In English grammar, tense shift refers to the change from one verb tense to another (usually from past to present, or vice versa) within a sentence or paragraph. A writer may temporarily shift from past tense to present tense in order to enhance the vividness of a narrative account.   In prescriptive grammar, writers are cautioned to avoid unnecessary  shifts in tense. Unmotivated shifts between present and past may obscure meaning and confuse readers. Examples and Observations The bridge was still open then, and I was up there one day mowing the grass alongside the road, just minding my own business, when I see something moving out of the corner of my eye. - C.J. Fisher, The Legend of Diadamia. AuthorHouse, 2005Staring rigidly up at it, Justin is listening to her joyous protestations at his right side. Dizzy from travel, laden with last-minute hand luggage, the two of them have minutes earlier arrived here from London for the first time. - John le Carrà ©, The Constant Gardener. Hodder Stoughton, 2001 Gliding From One Tense to Another It is possible to glide from one tense to another in the course of one sentence, but the key to doing it is always to be in control, to know what you are doing, what effect you are hoping to achieve.   In The Literary Review (February 2006), Francis King comments with admiration on how D.J. Taylor in his novel Kept frequently shifts gears from past tense to present to tauten a scene. And in an essay Glitches (Granta 27), John Gregory Dunne writes: Off the road there was what appeared to be a reviewing stand, and I sat there for a few moments, taking in the museum and the cold blue Sunday sky, taking stock, what to do, what to do next, Id really hate to cancel dinner tonight . . . Im breathing normally now, its OK A-OK, I wont even tell my wife, nor Tim, especially not Tim, I feel fit as a fiddle now. He wasnt though, but thats another story, told by his wife, Joan Didion, in The Year of Magical Thinking. Just notice the tense shift. - Carmel Bird, Writing The Story Of Your Life. HarperCollins, 2007 The Effect of Tense Shift in A Tale of Two Cities A Tale of Two Cities [by Charles Dickens] has a tense shift at a great moment of the story. After the trial and after Sydney Carton has taken the place of Charles Darnay in jail, the drugged Darnay and his family are fleeing in the stagecoach from Paris. Suddenly we find that the story is in the present tense. This adds vividness and excitement and here marks a peak which encodes part of the notional structure denouement of the story. - Robert E. Longacre, The Grammar of Discourse, 2nd ed. Plenum Press, 1996 Legitimate Tense Shifts Sometimes writers shift from past to present tense when telling a story to add vividness to the events.  This legitimate  tense shift is  a literary device called the historical present. It is familiar to readers of epic poetry, but people also use it when relating everyday anecdotes: I was walking down Delancey Street the other day when a guy comes up to me and asks me for the time. - (The American Heritage Guide to Contemporary Usage and Style. Houghton Mifflin, 2005) Usage Tips: Avoiding Needless Tense Shifts What is an example of an unmotivated shift in tense in writing? One example is starting a story in past tense and suddenly shifting into present tense:Last week I was walking along a street when this man walks up to me and says . . .We do this in speech all the time, but in formal writing its considered to be an error. - Edward L. Smith and Stephen A. Bernhardt, Writing At Work: Professional Writing Skills for People on the Job. NTC Publishing, 1997)Tense places the action of the verb in time: Today I go. Yesterday I went. Tomorrow I will go. Different verbs in a sentence or paragraph may logically use different tenses to reflect actions at different times.We will play tennis before we eat breakfast but after we have had our coffee.The tense you select to describe most of the actions in your paper is called the governing tense. Once you establish it, do not use another tense without a good reason. . . .The literary present tense is used to describe literature or art. If you use it, d o so consistently. - Toby Fulwiler and Alan R. Hayakawa, The Blair Handbook. Prentice Hall, 2003 It is common practice to analyze literary works in present tense. Thus, you would write, Pearl is a difficult child rather than Pearl was a difficult child in an analysis of Hawthornes The Scarlet Letter. If you are quoting a critic who has used a past tense verb in a particular sentence, you may change the tense of the critics verb by typing the tense you wish to use in square brackets. This bracketed change of tense avoids an awkward verb tense shift in your text.As a general rule of thumb, however, avoid changing the tense of verbs in the text of a literary work you are analyzing. - Linda Smoak Schwartz, The Wadsworth Guide to MLA Documentation, 2nd ed. Wadsworth, 2011